Scarlett LEUNG Tsz-yung 梁芷榕

Driftwood 漂流木
2024
Ink on paper, wood
205 x 415 cm

In our life's journey, we all find ourselves seated on our own pieces of driftwood, floating amidst the vast sea.

This series of works revolves around a driftwood encountered on a beach. The lines in the paintings capture the textures of the driftwood, the moment of floating in the sea and my encounter with it. Through the creation in various mediums, the artworks connect between the artwork and its organic origins. Soft light emanates from behind the paintings, evoking a tranquil atmosphere reminiscent of sunset. While appreciating the artworks, viewers can sit on the driftwood collected by the artist, immersing themselves in a moment that once belonged solely to nature.

That day, I sat on my driftwood, and I was captivated by the beauty of imperfection that found on the driftwood. The sun gradually descends, casting a gentle glow upon the water's surface, and the waves continue to rise and fall.

Even though drifting never stopped, that moment was peaceful, calm, and harmonious.

在人生的旅程中，我們都坐在自己的漂流木上，在浩瀚的海洋中漂泊。

這系列的作品圍繞在海灘上遇見的漂流木。畫作中的線條記錄了漂流木上的紋理，在海中漂泊以及與它相遇的一刻，透過不同媒介的創作連結藝術品與自然的起源。柔和的光線從畫作後方散發出來，喚起日落時的安詳氛圍。觀眾在欣賞藝術品時，可以坐在藝術家收集的漂流木上，沉浸在曾經僅屬於大自然的一瞬間。

那天，我坐在漂流木上，被它的不完美之美所吸引。

太陽逐漸西沉，柔和的光線投射在水面上，波浪持續高低起伏。

即使仍在漂泊，那刻卻是寧靜，安穩，和諧的。